General
Unique ID : 132809011960179432118220395851838039991 (0x63EA15D657B799F3C17F940B33DEA7B7)
Complete name : CENTER_STAGE.mkv
Format : Matroska
Format version : Version 2
File size : 1.57 GiB
Duration : 2 h 34 min
Overall bit rate : 1 454 kb/s
Frame rate : 29.970 FPS
Writing application : HandBrake 4696svn
Writing library : libmkv 0.6.5
Video
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Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L3.1
Format settings : CABAC / 9 Ref Frames
Format settings, CABAC : Yes
Format settings, Reference frames : 9 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 2 h 34 min
Bit rate : 1 041 kb/s
Width : 710 pixels
Height : 466 pixels
Display aspect ratio : 16:9
Original display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 29.970 (30000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.105
Stream size : 1.12 GiB (72%)
Writing library : x264 core 122
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Language : English
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.601 NTSC
Transfer characteristics : BT.709
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Audio
ID : 2
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Format settings : Dolby Surround EX
Codec ID : A_AC3
Duration : 2 h 34 min
Bit rate mode : Constant
Bit rate : 384 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 424 MiB (26%)
Language : Chinese
Service kind : Complete Main
Default : Yes
Forced : No
Text #1
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Format : VobSub
Codec ID : S_VOBSUB
Codec ID/Info : Picture based subtitle format used on DVDs
Language : English
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Text #2
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Codec ID/Info : Picture based subtitle format used on DVDs
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Forced : No
Yuen Ling-yuk je příběh o hvězdě němého filmu Ruan Ling-yu, známé jako Greta Garbo čínské kinematografie. Film spojuje dokumentární záběry s vytvořením dobové atmosféry, životopisné okouzlení s hlubokou zvídavostí a úchvatné historické záznamy s barevnou simulací stejných scén natočených s úmyslem odhalit minulost.
Quote:
Režisér si vzal na paškál zajímavé téma, chtěl představit atmosféru let 30tých ve filmovém průmyslu v Číně, skrze hereckou hvězdu Ruan Ling-yu, která byla tehdy velmi slavná. Ale tento snímek není obyčejný dokument, nebo biografie, je to zároveň také semidokument, paradokument, uvidíte staré záběry, pokusy o rekonstrukci, výpovědi pamětníků, názory současného obsazení na danou problematiku. V čele skvostná Maggie Cheung, bez které by tento film neměl šanci, dále Carina Lau, Tony Leung Kai Fai. Velmi nebovyklý a zajímavý snímek, zejména ty rozhovory s herci. Velmi dobře se zdařilo evokovat atmosféru dob němého filmu, herectví, které tehdy bylo značně jiné než dnes, kromě toho se nevynechává ani atmosféra a problémy doby, které hýbaly veřejným životem.
Quote:
beautiful picture of 1930's Chinese movie industry
I'm a novice at Chinese history, especially in the area of periods of film, and, being American, I'm particularly fascinated by it and comparing it to period pieces set in the 1930's US (a la "Cat's Meow" or "Miller's Crossing"). I was particularly taken with Centre Stage's attention to detail in period dress, music, and movie deal-making among the industry. As opposed to American movies focusing of stars/starlets' merciless climb to the top of the industry, Maggie Cheung plays Ruan as a kind, clever, and talented actress whose versatility and assertiveness helps her move beyond pigeonholing by the industry to play a wide range of parts--revolutionary, new woman, peasant-girl.
One part it seems which has been overlooked in the few reviews I've read is how this image of feminism illustrates China's version of liberation. Cheung plays Ruan as both a feminist in charge of her career, as well as a woman who is in control of her scandalous affair with Lawrence Ng's character. The difference between her and him being that men are understood to have concubines and are forgiven for the indecency, while Maggie's career is ruined (though she never apologizes for it in any way). Traditional roles still trump profession in 1930's China, but the sadness of it all being retold shows a strong Ruan overcoming every possible trap--losing a career over an affair, especially--and maintaining her desires for success.
For Cheung's performance, it never wavered. I was a big fan of hers in "Irma Vep" and she was just a strong in this role playing Ruan. Effortless shifts between emotion ("So, you're showing me your true face," her lover says as she blows smoke in his face obstinately, then switches to a kindly-wife smile--is she practicing her role in the movie, or is that really her?), graceful poise courtesy of the era before slouching was cool, private display of emotion, and elegant role-play as mistress and ex-wife with Tony Leung.
I'd have to know more about the history of Ruan to know if this is an accurate portrayal of her life, but the film-making style of inter-cutting Cheung playing her in the 30's while interviews with Ruan's colleagues from that time as they are interviewed by the director of the movie is a fascinating way to present her history. Is it a bio-pic? Is it a historical fiction? Is it a retrospective? It's all and more.
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